essays. Schuster

Aaron Schuster 
Unwilling Revolt, or The Politics of Psychoanalysis
18.7.2026

In a lesser-known fragment from his notebooks, Franz Kafka recounts the story of the dog Caesar. Caesar loves his home and his master, but suffers from an odd malady: he can’t help running away. “‘Strange!’ said the dog, passing his hand over his brow. ‘All the many places I’ve been, first across the market square, taking the logging road up the hill, then crisscrossing the plateau, down the defile, along the paved road for a bit, left down to the stream and along the line of poplars, past the church, and now here. Why did I do it? I’m at my wit’s end’.” Caesar is possessed by an irresistible impulse to flee, an impulse that frustrates and perplexes him since, as he explains, “I have everything here and plenty to eat.” Given a choice, he’d rather stay put: “This yard is my place,” including his kennel and his chain “for the odd time I’ve bitten someone.” “I feel well looked after, I’m proud of my job, a pleasant sensation of seniority passes through me when I see the other animals.” He insists that “I would never run away from here of my own free will.” Yet run away he does. One day he’s scolded by the master’s son, Richard. “‘Caesar,” he said, ‘you bad dog, where were you this morning? I went looking for you at five o’clock, a time when you’re still supposed to be on guard, and I couldn’t find you anywhere, it wasn’t till a quarter to seven that you got in. That’s a serious dereliction of duty, you know?’” Tears of remorse fill Caesar’s eyes; he pleads with Richard not to tell anyone, and reaffirms his commitment to “better himself.” The fragment ends on an exculpatory note: “Admittedly, I only promised I would better myself if it had anything to do with me. And it’s not my fault."[1] 

This is how neurotic symptoms work: they are involuntary flights from ourselves and the lives we claim to want to live. Caesar is a happily domesticated dog with an undesired wild streak. Something remains untamed in him despite the domesticity he craves (“I’m proud of my job,” “this yard is my place”). Kafka is known as a writer of cages, of labyrinthine structures in which his characters are inextricably caught. The Caesar story is one of the rare places where Kafka give us a glimpse of freedom—although this freedom appears in a highly ironical way, as a form of unfreedom, an alien compulsion its bearer would like to be “free” of. Kafka’s dog fictions subvert the canine cliché of fidelity to the master: Caesar wants to serve, but how can he be man’s best friend when he’s his own worst enemy?[2]

Likewise, psychoanalysis regards the symptoms of mental illness as a form of unwilling revolt: a self-sabotage that is also a sabotage of one’s ties to social authority. One of the great mysteries of political theory is the phenomenon of voluntary servitude. Caesar gives some insight into this when he prides himself on his privileged position relative to the other animals: sometimes winning even a small advantage, a “pleasant sensation of seniority,” is enough to make one stay put. (Étienne de La Boétie: “when the point is reached, through big favors or little ones, that large profits or small are obtained under a tyrant, there are found almost as many people to whom tyranny seems advantageous as those to whom liberty would seem desirable”).[3] Psychoanalysis, with its insight into the unconscious driving forces of human behavior, made significant contributions to this problem, from Sigmund Freud’s analysis of group psychology and the libidinal attachment to the leader to Wilhelm Reich on the masses’ positive desire for fascism (a major inspiration for Gilles Deleuze and Félix Guattari) and Slavoj Žižek on cynical distance and disavowal as mechanisms of ideological submission. However, focusing on voluntary servitude risks missing the specificity of psychoanalysis, or rather, the surprising twist that it gives to this notion. Its research domain is not that of voluntary servitude but involuntary insubordination. Instead of asking, after Spinoza, “Why do people fight for their servitude as if it were their salvation?,”[4]it poses the question: “Why do people fail to conform to their servitude, as if it were their ruin?” For the central tenet of psychoanalysis is that voluntary servitude inevitably fails: the (self-)repressed returns. And therein lies the odd optimism of psychoanalysis: We would like to obey, to have our place, to adhere to our allotted happiness, but something in us refuses to go along; we are forced to be free. In the midst of voluntary servitude rebels an unwanted freedom—a freedom that ironically takes the form of another cage. There is a Kafkaesque freedom to symptoms.

 

Patricia Detmering, June 2026

In Civilization and Its Discontents, Freud writes: “Even in what are known as normal people the id cannot be controlled beyond certain limits. If more is demanded of a man a revolt will be produced in him or a neurosis, or he will be made unhappy.”[5] Neurosis must be situated between unhappiness and rebellion. Or, to put it a bit differently, neurotic pathology straddles an precarious middle ground between complacent discontent and active revolt. Neurosis goes beyond mere unhappiness, whose manifestations are for the most part socially legible and publicly condoned; e.g. everyday complaining, mild depression, brooding, frustration, angry venting, light self-sabotage, etc. For an inner conflict to turn neurotic, the available social vocabularies for unhappiness must prove to be inadequate for its expression. The neurotic is then forced to develop their own mangled vocabulary, an idiosyncratic patholect or symptom-language, for channeling their discontent. Neurosis constitutes an extravagant supplement to unhappiness. But there is no bright line between psychopathology and normality, and ordinary unhappiness can often gain an extra flamboyance by tapping into a neurotic dimension. In any event, neurotics cannot accept what unhappy individuals have accepted, namely the social terms of misery. On the other hand, they are not in active revolt against their situation: they do not directly challenge the context that has contributed to their condition, and they cannot forge solidarity with others through their suffering. Neurotics remain trapped inside a private prison of complaint.

This implies that there are two possible routes for psychoanalytic treatment: the transformation of neurotic misery into everyday unhappiness, or politicization. In the former, the unconscious is, to some degree, made conscious. The bizarreness of one’s symptom-language gets partially translated into more socially intelligible speech. Symptoms are lifted, the range of action expanded, and regular unhappiness becomes available as a life-option. Politicization takes the cure in a different direction: it involves the recognition that one’s strange symptoms are not simply a private matter but implicate the wider social environment. Symptoms are in (an oblique) dialogue with society; they are engaged and entangled with its rules, taboos, customs, and ideals, its ideological frameworks and disciplinary practices. Symptom not only impede one’s participation in shared social life; they are mangled and disguised forms of critique. To politicize one’s symptom means to reinsert it into the context that it has fallen out of, so that it can become a lever through which that context might be transformed. This can take many different forms, from relatively minor acts of rebellion and local change to struggles for more systemic solutions, including new ways of creating solidarity with others.

However, this path of politicization is complicated by a few considerations. While symptoms have a social-political dimension—this is what is obscured by a medicalized understanding of mental health—they are never entirely caused by repressive social arrangements and noxious environments, familial, governmental, cultural, economic, or otherwise. It would be wrong to dissolve mental illness into external factors of oppression and abuse. This would be to have a too one-sided view of causality, and to effectively erase psychic causality. Mental illnesses are a distorted mirror of society, and changing symptomatologies reflect the changing times, with its particular conflicts and contradictions, norms and ideals, and collective imaginaries and vocabularies. But psychopathologies cannot be reduced to social pathologies. They bear on universal human problems that societies themselves try to get a grip on and canalize, to repress in the interests of their own reproduction. Politicization can take on a neurotic hue when it turns to culpabilization, and the “Other” made responsible for one’s misery. What makes us is sick is not society per se, but the normative solutions imposed by society for problems that are inherently difficult, if not ultimately impossible, to deal with, problems that have no correct answers but constitute the most vulnerable points in human life and becoming. From a Freudian perspective, freedom consists in the ways we unconsciously respond to such problems, and how we choose which problems will be ours in the first place, that is, the ones that will be the most problematic for us, the so-called “choice of neurosis.” 

The paradox of psychoanalysis is that it asks us to regard symptoms not only as ailments and dysfunctions but, in a positive sense, as warped and furtive forms of freedom. Of course, sufferers wants to be free of their symptoms, to live without excessive fear, anxiety, disgust, and rage, without being plagued by intrusive thoughts, mindless repetitions, and other self-sabotaging behaviors. The symptom appears as an obstacle to living the life one wants to lead. But it can also stand for something else. Instead of seeking to free oneself of the symptom, one might grasp in the symptom an “urge for freedom”—the symptom itself is an expression of freedom in the guise of its opposite, unfreedom.[6] In this case, the symptom is not only an impediment to the flourishing of one’s life, but the signal that there is something wrong with that life (and also, at some level, with life itself: the death drive). The symptom is not merely a problem to be dealt with more or less expediently, but a problem that can force a revaluation of what we think of as problems and solutions, that can put the very framework of how we experience life, pleasure, and desire into question. 

Do all disturbances do this? Not necessarily. Sometimes a cigar is just a cigar, and sometimes a mental disturbance is just a dysfunction. Martin Heidegger had his own version of this: “Concealment can be a refusal or merely a dissembling. We are never fully certain whether it is the one or the other. Concealment conceals and dissembles itself.”[7] In other words: Sometimes a dissembling is just a dissembling, it does not hide a more profound ontological dimension. We can never know for sure whether a particular disruption or distortion is an empirical matter, or whether it concerns the “clearing” itself—and this is part of what concealment is, the obfuscation of the distinction between the ontic and the ontological, dissembling and refusal (Versagung—Lacan will use the same term in another context). Heidegger wouldn’t condone the leap I’m about to make, but the same uncertainty is at stake in the psychoanalytic clinic. It cannot be decided in advance whether a dream or outbreak of anxiety will open onto an unconscious problematic; a distortion in mental life might be only a temporary and accidental glitch or it could point to a wider crisis. A certain wager is involved: entering into psychoanalysis means gambling on the symptom, on the fact that is has something to say that can disrupt and reframe our usual speech about ourselves, the socially consensual vocabularies reproduced in our ego-driven representations. Like Caesar, for the most part we’d rather not be bothered by our “flights” from ourselves and our domesticity, however troubled this domesticity may be. Even further, we’d rather not see these flights as stemming from ourselves at all: “It’s not my fault.” But it is always possible to regard such a desertion as a veritable refusal, and a fugitive opening onto something else, to treat it as the starting point for an “investigation,” to allude to another of Kafka’s dogs, the philosopher hound in the story “Investigations of a Dog."[8] Today, defenders of psychoanalysis point to top quality studies of its long-term effectiveness. This is an interesting development. But this objective validation, according to the most up to date scientific standards, cannot eliminate the uncertainty and subjective risk that lie at the heart of its practice, its Kierkegaardian dimension, if you will. There can be no objective confirmation of the unconscious, and no external authority can vouch for it: it involves an irreducible subjective leap. On the other hand, once one risks the hypothesis of the unconscious, there is nothing that can be definitely excluded from it: the chain of associations spreads in surprising ways, and it can reverberate in the unlikeliest places. The critical point of psychoanalysis might be summarized like this: treating mental disturbance not as a temporary and localized dysfunction but as a structural crisis—a crisis that points to a dense knot (Freud called it the “navel of the dream”) containing accidents of individual history, the conflicts and impasses of social formation, and the singular struggle with universal problems, from the bias of one’s drive-disposition or choice of neurosis. 

Patricia Detmering, June 2026

The opposition between autonomy and heteronomy is complicated by the notion of voluntary servitude, which constitutes an autonomous form of heteronomy. Unwilling revolt is the opposite, a heteronomous form of autonomy. The complexity of freedom is such that it needs to be articulated between these two poles: willing subservience and unwilling resistance, a voluntary abetting of one’s own domination and an upsurge of defiance that is not a “free choice,” that cannot be controlled and does not answer to one’s conscious volition. At the same time, heteronomous autonomy is not merely a displaced and disguised form of autonomy, but the expression of an underlying lawlessness or anomie. What does this mean? Fundamental to Freud’s approach is the idea that symptoms are not only signs of illness but already self-cures: we are sick from the ways we try to cure ourselves, we are attacked by our own defense mechanisms that have run amuck. Symptoms are essentially idiosyncratic, ad hoc solutions to problems that admit of no solution. They are produced when the socially available and prescribed solutions are insufficient, break down, or generate their own intolerable stresses.

Symptoms supplement, and diverge from, communally consensual modes of managing and symbolizing subjective crises, involving such fraught problem-areas as loss and mortality, sexuality and sexual difference, selfhood and embodiment, and dependency and authority. Freud famously emphasized sexuality in the array of human problems, as the most exposed and vulnerable dimension of psychic life. Lacan followed him in this, but his innovation was to grasp all the different psychopathological structures as pathologies of authority, as different reactions to, and breakdowns of, the “master signifier”: disorders of the symbolic order. 

The construction of symptoms involves a real inventiveness and ingenuity, but it’s a creativity under constraint. One is compelled to invent, unconsciously, at the margins of culture, language, history, and shared experience. Symptoms often appear bizarre and unintelligible, and they can isolate their bearers from life in common with others. But they also reconnect subjects to the world at the point they risk falling out of it, providing a kind of improbable ground or anchor. To refer once again to Kafka, symptoms occupy a peculiar borderland, the “borderland between loneliness and community.”[9] We could also say that they emerge at the borderland of civilization itself, on the edge between reason and unreason, Eros and the death drive, sociality and solitude, normativity and anomie.

Is the lesson of psychoanalysis that we are revolutionaries despite ourselves, to vary a line of Molière? Symptoms mark the limits of willing obedience, where we can’t help but act on our own, following a path that strays from or breaks with our socialization. Just as the unconscious can never be fully translated into consciousness, so the heteronomous autonomy contained in the symptom is never fully translatable in terms of classical autonomy. It is a freedom at the borders of self and civilization. Like the symptoms it ministers to, psychoanalysis does not fully belong to civilization, but also occupies a borderland. Psychoanalysis creates an artificial space within culture, which through the suspension of the norms governing speech and dialogue, is able to give access to what is usually occluded by the social world: the unconscious. Psychoanalysis gives a place to the nonplace of the unconscious, its atopia. Psychoanalysis doesn’t promise a more successful social adaptation or propose techniques for self-optimization; it can’t help the would-be Caesars of the world to “better themselves.” What it does offer is a space wherein subjects can investigate their follies and oddball solutions, their wayward and “unfree” freedom. 

Psychoanalytic theory can be connected to politics in different ways: it might be used to construct a theory of the political, or address questions of political modernity, or else it can serve as a tool of ideology critique, untangling the libidinal contortions involved in our submission to a particular political order, our voluntary servitude. I want to suggest here another approach: not a psychoanalysis of politics, but a politics that belongs to psychoanalysis, that is inherent to its practice. Unwilling revolt is intended as a term to designate this politics. Its field is that of subjective invention against and within the margins of prevailing social norms and arrangements, an inventiveness that is compelled and constrained by the fundamentally problematic character of human existence. Symptoms are not simply dysfunctions but express the subject’s unconscious investigations of its deepest problems—problems that societies attempt to stabilize, normalize, and exploit, for their own reproduction, but can never definitively solve. Symptoms testify to the ongoing openness of these problems, even though they do so in an obscure and distressing way. 

 

Patricia Detmering, June 2026

[1] Franz Kafka, The Lost Writings, ed. Reiner Stach, trans. Michael Hofmann (New York: New Directions, 2020), pp. 76-77; translation slightly modified. The original appears in Kafka, Nachgelassene Schriften und Fragmente II, ed. Jost Schillemeit (Frankfurt am Main: S. Fischer, 1992), 381–383. 

[2] There was a famous Caesar dog in history: King Edward II’s Wire Fox Terrier, who wore a collar with a gold tag that read "I am Caesar. I belong to the King.” A faithful hound, Caesar mourned the king’s death, and was even accorded a privileged spot in the funeral procession, to the consternation of the German Kaiser who was made to walk behind him. Caesar could also run off, although not without reason; among other mischief, he reportedly escaped in Marienbad while chasing white peafowl.

[3] Étienne de La Boétie, The Discourse of Voluntary Servitude, trans. Harry Kurz (Auburn: The Mises Institute, 1975), 72.

[4]Gilles Deleuze and Félix Guattari, Anti-Oedipus: Capitalism and Schizophrenia, trans. Robert

Hurley, Mark Seem, and Helen R. Lane (London: Bloomsbury, 2013), 38.

[5] Sigmund Freud, Civilization and Its Discontents, in The Standard Edition of the Complete Psychological Works of Sigmund Freud, trans. James Strachey (London: Hogarth, 1955), XXI: 143.

[6] On the “urge for freedom,” see Freud, Civilization and Its Discontents, 96.

[7]Martin Heidegger, “The Origin of the Work of Art,” in Poetry, Language, Thought, trans. Albert Hofstadter (New York: HarperCollins, 1971), 52.

[8]See my How to Research Like a Dog: Kafka’s New Science (Cambridge, MA: MIT Press, 2024)

[9]Franz Kafka, Diaries, 1910– 1923, trans. Ross Benjamin (New York: Schocken Books, 2023), 464, entry for October 29, 1921.

Aaron Schuster is a writer and philosopher, who lives in Amsterdam. He is the author of The Trouble with Pleasure: Deleuze and Psychoanalysis (MIT, 2016), and the co-author of Sovereignty, Inc.: Three Inquiries in Politics and Enjoyment (University of Chicago, 2019). His most recent book is How to Research Like a Dog: Kafka's New Science (MIT, 2024). His research concerns continental philosophy and psychoanalysis, and frequently engages with art, literature, theater, and film; he has written on such subjects as the theory of the break up, Platonov's Anti-Sexus, the philosophy of tickling, the comedy of Ernst Lubitsch, the popes of Francis Bacon and Jean Genet, Bolshevik feminism, the history of pleasure, and complaining. He is the editor of e-flux Notes.  

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